For the technically curious, the full lighting setup consisted of 3 speedlights mounted on a beauty dish as key light, an umbrella to fill from close to floor level, and a small softbox to color tint the shadows left by the key light. The camera body used was a Fujifilm X-T3, and the Fujinon 90mm F2 was the lens of choice for most of the pictures. The whole shoot was done tethered to Capture 1, which greatly helped simplify the capture and review process.

In regards to the postproduction, the environment is full CGI, created and rendered in-house and then composited along with the raw plates using industry-standard compositing and image editing tools. Truly a blend of the timeless art of capturing photons on a camera obscura, along with really the latest, state-of-the-art digital techniques.